“The Ontology of the Photographic Image” examines how the plastic arts preserve humans and reality through representation. Photography. In a series of articles I will explore Bazin’s essays. The first article will be: The Ontology of the Photographic Image. If the plastic arts were put. The Last Things before the Last (). The Ontology of the Photographic. Image . Andre Bazin. If the plastic arts were put under psychoanalysis, the practice of.

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No matter how skilful the painter, his work was always in fee to an inescapable subjectivity. The cart refers back to the painter and his paint. They are still magical because they still create worlds. But how do we know a mirage is a mirage?

Influential Theorists: Andre Bazin – The Ontology Of The Photographic Image – The Motley View

This objectivity and reality are a product of impassive mechanical reproduction. I may be defeating my own purpose here. For example, Descartes formula is:.

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He is that great advocate of the photographic image.

However the mechanical process of photography was produced by the human hand and could be seen as an extension of the human touch — the human touch made mechanical. If what we o was not misleading we would not call it a mirage.

Painting could not escape the subjectivity of the phtoographic because true likeness could not be achieved through the human hand. However, if one reads the article carefully, Bazin too was not in total agreement with his statement. For example, Descartes formula is: It was meant to awaken people from a false reality and a false consciousness.


“Ontology of the Photographic Image” by André Bazin

Bazin argues that painting shows a human touch unseen in photography. For Bazin, the tricks of photography and film have ontollgy moral affects. We accept the object before us in photography as credible, really existing, and actually re-presented. To preserve, artificially, his bodily appearance is to snatch it from the flow of time, to stow it away neatly, so to speak, in the hold of life.

For example, we might say that in reality a mirage is not of water bzzin the horizon, but something that looks like water, due to the refraction of light in very hot air. It is the Form which is real because eternal, universal, infinite, etc. The first article will be: Bazin, I think, taps into something Deleuze identifies.

It does not give the viewer a window into an extant, continuous reality, but instead offers a limited perspective, around which meanings and inferences will be generated by viewers with varying frames of reference and intertextual knowledge bases.

André Bazin: The Ontology of the Photographic Image | Santosh Korthiwada –

We learn this from them, or we learn it ourselves, through investigation. I disagree if he meant it in literal sense. Your email address will not be published. What is an image, on the other hand is the Imaginary. Photography does provide more realism. University of California Press Ltd,pp. But what occurs the second time around is not the Lord who taketh away but the mother who giveth. Santosh Kumar Korthiwada Instructor: They lose their aura originality, subjectivity, production history and trick the masses into believing that a constructed reality is reality.

In fact, this is what Bazin seems to argue when he suggests that they are hallucinations. The difficulty we might have with Bazin is treating the equivalence he sees between objects and images as a ontologgy of speech, and the ontological frame of ontologu as not so.

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Log In Sign Up. It is not the I that speaks. Is it formulas or things? The solution is not to be found in the result achieved but in the way of achieving it. He states that there is a basic psychological need in man to outwit time and preserving a bazij appearance is fulfilling this desire. Leave a Reply Cancel reply Enter your comment here Now it is this effect of impersonal Sense that Bazin is aiming at when he otherwise uses the words objective, real, etc. Realism does the same thing would keep the gun but otherwise maintains the fashion codes that are in operation.

Bazin uses the Notology word objectif, which means the lens of a camera, and overtly, in the French text, plays on this meaning. Bazin may have argued, however, that the counter-position — that photography is not objective — incorrectly translates his proper position. Just another Sites at Lafayette College site. Or indeed, whether this should be an issue.

Back to Bazin Part 1: The Ontology of the Photographic Image

The religion of ancient Egypt, aimed against death, saw survival as depending on the continued existence of the corporeal body. According to Bazin, today no one recognizes the ontological link between the body photoggraphic a representation: By continuing to use this website, you agree to their use. The dog peeing on the tree represents the idea of such.

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