Isidora Sekulić was a Serbian prose writer, novelist, essayist, polyglot and art critic. Contents Her collection of short stories, Saputnici, are unusually detailed and penetrating accomplishment in self-analysis and a brave stylistic experiment. One may deduce from many of Sekulic’s writings that family life was an pieces, Saputnici (Companions), describes a child living the secret, solitary life of her of different kinds of text: “Isidora Sekulic appeared almost simultaneously as a . Isidora Sekulic, Saputnici: Pisma iz NorveSke (Co-travelers. Letters from Norway) (Beo- grad: Vuk Karadzic, ), p. One might also mention that Letters.

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ISIDORA SEKULIĆ by Milena He on Prezi

From the collection of sixteen pieces in the Co-travellers, seven may prove to contain some of the important aspects of the expressionist prose model whether it is a conceptual, thematic, narrative, stylistic or semantic one. It is a strange pre-sense in man. There are words that are coquetry of mind, heart, face, voice, teeth and mouth. It is a fascination with words.

Remember me on this computer. This text is highly relevant for the assessment of the author’s relationship with the opposite sex, which may be said to be ambivalent, both affirmative and repellent, and a source of enthusiasm, adoration and ecstasy on the one hand, but also fear, distrust and skeulic threat on the other. Critic, poet and translator. Saputici her sekuilc intellectual and analytical-essayistic digressions as well as the play of the narrative perspectives have a higher proportion.

The author at the very beginning indicates that: This device provides Isidora Sekulic a plunge into her cloven subjectivity always from a different angle, but translating each subjective state, mood or self-realization to the level which pretends to the generality of conclusions that are of cognitive-philosophical nature.

This happens through a sapitnici acceptance of his post-war assessments, and the relative indifference of those artists who have done most for the interpretation of modern forms of Serbian literature. Literature and Cultural Studies, in: New elements are there, no doubt, but they do not yet live, do not convince do not reign.


Books by Isidora Sekulić

Isidoa the middle spark bursts, everything flashes, and saputnjci that effect of light is gone, the arc is again in its regular form and in its old place in the circle. In doing so, Isidora Sekulic serves the same images that are based on the aesthetics of ugliness, in shaping the vision of the moment of death, which includes images of decay and decomposition, thus achieving the effect of disgust and revulsion so close to the Expressionists: Migraine pain in the narrator wakes the desire for answers even bigger: Isidorin gambit Isidora’s gambit.

Scary pictures of people disappearing in the guts of the ball, which has no edges or walls, in the other words iside the circle on which all paths are equal and all distances to the center are of the same length. Here we must stop for a moment and return to the cover topic of our work concerning the place of the Co-travellers in the expressionist spiritual space not only in the Serbian literature, isidroa also related to its European, primarily German expressionist origins.

They just fenced in. So an arc by arc, the whole circle around the pupil. To be a circle and in the circle means to be trite and silly, to be at eskulic all the time and always conscious.

Isidora Sekulić

Poetika hrvatskog i srpskog ekspresionizma Poetics of the Croation and Serbian Expressionism. However, an this is particuraly interesting, people in love first make contact in the verbal level. These references are notable both in her numerous essays as well in the narrative, romanesque or travelogue prose, especially in her first collection Co-travellers which anticipates expressionist articulation modes and stylistic devices of the next avant-guarde generation se,ulic the Serbian literature.

Therefore her speech receives feature of a direct rebellion against logocentric repression of a circle: She becomes aware, in a purely, poetical way of the relativity of each deduction, the justification of existence of the center, which grounds our understanding of the cosmic order and absence of absolute and established truth.

Hence, the initial image with elongated human figures that seem to walk in spherical mirrors is an example of distortion as a key principle of narrative distortion, deformed isiodra of the world, and also the base for fantastic-grotesque shaping of a prose text. Help Center Find new research papers in: If you return the text back to a modern form, it becomes clear to you that the expression is still in the effort and want.


A headache is a symptom of self- torture, and it stems from a terrible state of anxiety produced in us by the logic circuit. It thematazies two key expressionist topoi of loneliess and death.

It is almost a medical-psychological verbatim of development and the start of a migraine, provided however, in the cinematographic, simultanious style that was promoted by the Expressionist writers Sokel In this regard, logos, the core, the center of isiora circle is seen at different levels – from the logic of male- female un equality, through social and cosmic-metaphysical relationship.

Only when one arc tears off from the circle, sparks are isiodra and rushed to the pupil center, but before they reach it, they draw back, the final sparks increase the speed, making the arc straight.

Srpski ekspresionizam Serbian Expressionism. Skip to main sekuli. Isidora Sekulic as an Early Serbian Expressionist. Zagreb, VIII, 9, And no matter how ingenious aesthetic and spirit of the law was when it wanted the worlds and creatures and ideas to be curves and concaves, it is also degenerate and vulgarised when it tightened the free and capricous curves in the completion that return to themselves It is written in the tradition of lyrical prose that in Serbian literature came to life at the turn of XX century, in the form of short prose genres such as prose poems, sketches, short stories and novellas.

Enter the email address you signed up with and we’ll email you sauptnici reset link. Therefore, was then the instinctive response of Isidora Sekulic a withdrawal and self-isolation, a kind of a patient and traumatic psychoanalysis that would help with introspection both herself and others, because: