Sheet Music – £ – Gyorgy Ligeti’s Lux Aeterna, for Voice mixed chorus acappella. Duration: 9 minutes. Published by Edition Peters. Lux Aeterna sheet music – SATB choir (a cappella voice mixed chorus) sheet music by Gyorgy Ligeti: Edition Peters. Shop the World’s Largest Sheet Music. Lux Aeterna () by Gyorgy Ligeti is a single movement composition of about .. It is only by seeing the capital D in the score that one can tell the difference.

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The entry of the low D is a noticeable event since this is a new pitch appearing in the unused low register of the basses. In bars 23 and 24, the harmonic texture is very thick and the original F central pitch is absent. It is derived completely from the melodic line shown in Example 5. The word lifeti sung is “luceat” which means “let shine”.

Close X Learn about MP3s. The flexible talea structure of block 3B sopranos, bars is shown in Example 15 using the same vertical column format as the preceding example.

Block 3C, Altos bars It has the effect of weakening the B which it is leav ing, and strengthening the C which is its new pitch. lud

This has been one of my favorite aeteena of Ligeti’s since I first heard it in ” There are four soprano sections, four alto sections, four tenor sections and four bass sections.

A similar exceptional case can be lifeti among the generally appears that Ligeti wrote the first three soprano and alto voices of the xanon adhering to his flexible talea without great deviation. Homo phonic and polyphonic structures have been used in a way that gives unity as well as variety.


Another contrast with other polyphonic sections of this piece is that this block begins simultaneously with the same syllable sung with three pitches instead of one. The canonic techniques of early music have been employed to weave a contemporary fabric. You aeeterna also enter a personal message.

Make a wish list for gifts, suggest standard repertoire, let students know which books to buy, boast about pieces you’ve mastered: This makes the effective gap over an octave wide and provides contrast to the more closed tex tures heard before.

Here blocks 3B and 3C enter simultaneously over the previously esta blished block 3A. Avoid disclosing contact information email addresses, phone numbers, etc.

Pitch and Texture Analysis of Ligeti’s Lux Aeterna

Falsetto voices indicate that God is high in Heaven. Block 3B is linked to 3A and 3C by the common G. The high B is also transferred to the upper two voices of block 50 who sing the same pitch two octaves lower. The com poser has prepared the entry of the octave Es by presenting its inner adjacent pitches as a minor 7th harmonic interval. Like blocks 5B and 5C, this serves to emphasize “luceat” as a key word, and creates a connection to the similar sounding “lux”.

As mentioned before, this homophonic section separates two large polyphonic sections and is therefore structurally very important. Block aeterja ends with a simultaneous fadeout which overlaps with block 5C.

Lux Aeterna

You consent to our cookies and privacy policy ligefi you continue to use this site. The piece may be sung by sixteen soloists or by aererna larger choir divided into sixteen sections. The block ends subtractively as each voice reaches the final syllable “i s ” at a different time and then decrescendos after sustaining it for several beats.

Since not all four voices of block 1 get to sing the last four syllables libeti the high A due to the simultaneous cut-off, they are enclosed in square brackets in Example 3. One is a subtractive ending in which the voices drop out one at a time as they finish their canonic material. To send to more than one person, separate addresses with a comma. Feel free to recommend similar pieces if you liked this piece, or alternatives if you didn’t.


Gyorgy Ligeti – Lux Aeterna for part unaccompanied chorus (Latin)

So this really is an approximation of that great work. Both types of three note cells add coherence to the different sections of the piece even if they are not consciously perceived. The tenors enter about halfway through this section, singing in the same range as the women.

The final F of the piece is an octave below the first Lyx of the piece representing a loss of energy and a greater sense. This homophonic presentation of the cell is the simplest of the four occurrences. If you believe that any review contained on our site infringes upon your copyright, please email us.

This name will appear next to your review. This is the only instance of a voice transferring from one block to another. One can see and hear that the harmonic mass is moving away from F. Close X Music Lists. Grant them eternal rest, O Lord, and may everlasting light shine upon them. There is a pitch gap between the B, A and F of block 5B and the underlying block 5A, whose pitches do not rise above middle C. All entries are marked “enter very gently” or “enter imperceptibly” except block 2 which enters “quasi eco”.