Although Lutosławski thought his “Concerto” marginal, it has been recognized as his greatest work from the time preceding “Musique funèbre”. Concerto for Orchestra. Witold Lutosławski BORN: January 25, Warsaw DIED: February 7, Warsaw. COMPOSED: Between and , and. Witold Lutosławski – Composer – Concerto for Orchestra [Koncert na orkiestre] ( ) – Music Sales Classical.

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The theme is revealed in increasingly orchestga registers of string instruments and then in a group of woodwind instruments in perfect fifth transpositions, all this against the background of continuously sounding octave F sharps in double basses, kettle-drums and harps.

Continue using the site as normal or read our Privacy Policy. An energetic entry by the strings opens the Toccatawhich then gives way to the Choralethe orcjestra theme of which is intoned by oboes and clarinets.

Its climax is marked by the second theme presented by the full orchestra.

The whole ends with a concise, impressive coda. With regard to its content, the toccata theme is akin to that of the passacaglia; it gains a new character here, however, mainly owing concrto the rhythmic changes and tempo variation, whereas new melodic material is introduced in Corale after Figure The return of the toccata is initiated by a section synthesising melodic lutoxlawski appearing in this movement. Whereas this first paragraph stems form a single idea that is handed over from one group of instruments to another, the texture gradually becoming more and more complex, the larger central panel is less limited in its material.

Andrzej Bauer Krzysztof akowski Piotr Paleczny. This brittle but brilliant work is enormously direct.

Concerto for Orchestra (Lutosławski)

The score calls for three flutes ogchestra doubling piccolothree oboes one doubling cor anglaisthree clarinets one doubling bass clarinetthree bassoons one doubling contrabassoonfour hornsfour trumpetsfour trombones lutoslawsoi, tubatimpanisnaretenor and bass drumcymbalstambourinetam-tamxylophonebellscelestatwo harpspiano and strings.

The beginning of the work leaves us in no doubt that it is a composition written on a grand scale. Lutoslasski arch form of the first movement contains two more alternating sections: The ebullient first movement seemed a perfectly constructed arch, and the second seethed and scurried with a precision that was almost effortless. The differences consist in a different instrumental elaboration of the same folk song, heard now in solo woodwind instruments and solo violins, the parts for these instruments meandering in contrapuntal entanglements against the background of a high-register f sharp.


Concerto for Orchestra (dir. Witold Lutosławski) – Three composers – Ninateka

Concerto for Orchestra [Koncert na orkiestre]. Its last, triumphal passage is the climax of the work. The third movement Passacaglia, toccata e corale is the most artistically constructed movement containing at the same time a feature characteristic of the composers late works, namely a chain-like combination of musical motifs.

Passacaglia, Toccata e Corale: In elaborating the folk material, he had recourse to musical tradition, using toccata and passacaglia forms as well as imitation technique and enriching traditional elements with modern harmonies and instrumentation. It is followed by an expressive Arioso initiated by the brass section. It is concluded with the ominous rumblings of the drums, double-basses and bass clarinet.

From Wikipedia, the free encyclopedia. The Toccata returns, only to give way to the Chorale once again. Music Education Day Check.

By using this site, you agree to the Terms of Use and Privacy Policy. The Corale’s second appearance produces a solemn finale for the monumental construction, the material for which is borrowed from a nineteenth-century collection compiled by the Polish ethnologist Oskar Kolberg.

This page was last edited on 13 Augustat The work starts with a theme in cellos based on a Masovian song. Newsletter PWM Sign up. Consisting of four sections A A1 B A2the movement includes jocose elements A, A1 and A2in very quick tempo, with unexpected concerot, disrupting the flow of the material as well as a song-like section Bmodelled on folk melodies. Everywhere Shop Hire Library. The second movement Capriccio notturno e lutoxlawski resembles a symphonic scherzo in character and structure.

The final section provides a much condensed, quiet reprise of the opening one, the pedal F sharp now conxerto in the high register. Jadwiga Paja-Stach translated by Ewa Cholewka. The second movement is also in tripartite form and it displays a similar contrast between its outer sections based on the same material. These fragments are referred to as Capriccio notturno.

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Concerto for Orchestra is a virtuosic composition, requiring from the performers high technical efficiency and an ability to create contrasting moods. That period ended unexpectedly quickly, as can be seen in works composed shortly after the Concerto: The resulting Concerto for Orchestra took nearly four years to complete.

He also endowed them lutos,awski a new musical sense by presenting them in the context of different melodic and harmonic content. The first section of the finale is an elaborate Passacaglia. Update Required To play the media you will need to either update your browser to a recent version or update your Flash plugin. The majestic chords, alternating with a folk melody in solo instruments are presented in different colouristic arrangements. The three movements are: The lengthy concluding Passacaglia, Toccata e Corale, an intricate study in regenerating krchestra reshaping primary materials, may be the most invigorating 16 minutes in contemporary music.

It was given a slightly cool but very persuasive performance here.

Concerto for Orchestra (Lutosławski) – Wikipedia

While much of the material used is folk orientated, no attempt was made to reproduce folk idioms. Andante con moto — Cconcerto giusto — in three sections: The finale contains many spectacular effects such as the harp glissandos, the tremolandos in the piano and other instrumental parts as well as rapid passages with forte fortissimo dynamics. Concerto is a work of rich instrumental colour and lively musical action embracing a wide range of moods and emotions. Capriccio notturno ed Arioso: Our website uses cookies to give you the best possible experience.

The composer moulds them into a different reality, lending them new harmony, adding atonal counterpoints, turning them into neo-baroque forms.